Bon Jovi/Tokyo & Osaka,Japan 2018 TK's 3.24.1980 Able" /January 22 03 Save

Able" /January 22 03 Save The Last Dance For Me "Short" /January 22 04 Don't Let Me Down / January 22 05 chat and improvisation /January 22 06 tuning for Dig Pony /January 22 07 Dig A Pony /January 22 08 I've Got A Feeling /January 22 09 I've Got A Feeling and Discussion /January 22 10 Get Back & intro /January 27 11 chat after Get Back /January 27 12 Get Back /January 27 13 chat about Get Back /January 28 14 Get Back & coda /January 28 15 improvisation your craps and dice /January 28 16 For You Blue /January 25 17 For You Blue /January 25 18 Teddy Boy and improvisation /January 24 19 Teddy Boy /January 24 20 Two Of Us /January 24 21 Maggie Mae Fancy Me Chances /January 24 22 chat and riffs from Two Of Us /January 24 23 chat Beatles order lunch /January 24 24 Polythene Pam /January 24 25 Two Of Us /January 24 26 Maggie Mae /January 24 27 Two Of Us with some bizarre moments /January 25 CD2 01 Dig It longest /January 26 02 Let It Be /January 31 03 The Long & Winding Road take18/January 31 BONUS TRACKS 04 One After 909 incomplete /January 28 05 Don't Let Me Down keep hands off My baby /January 29 06 Dig A Pony with breakdown /January 28 07 I've Got A Feeling I had a dream/January 21 08 Don't Let M Down /January 21 09 Get Back two takes /January 24 10 For You Blue a take

●1974 October 30-November 20: UK (19 shows) 《November 8th release of “SHEER HEART ATTACK”》 November 23-December 13: Europe (11 shows) ●1975 February 5-24: North America #1 (16 shows) March 5-April 6: North America #2 (21 shows) ←★Here★ April 19-May 1: First visit to Japan (8 shows) This is the whole picture of “SHEER HEART ATTACK TOUR 1974-1975”

This highly unique and cutting-edge trio features Cindy Blackman

MØ - Lean On (2015) 25

the biggest highlight is the sound quality of this other dimension

Bon Jovi/Tokyo & Osaka,Japan 2018 TK's 3.24.1980 Able" /January 22 03 SaveTheir first performance in Japan in 5 years in 2018 was one in Tokyo and one in Osaka Dome, and all two performances were recorded as a complete high quality audience recording. Thanks to the evolution of digital recording equipment in recent years, both have excellent sound with a wide range and perfect quality, making it hard to believe that they were recorded in a dome. Since the tour was in conjunction with the release of "This House Is Not For