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a very Grant-like brush and the sort of domestic scene that could well have appealed to the great man
At the end of the war they surfaced in Berlin in the hands of a liberating Russian soldier and were purchased by the film maker Hans Curlis
including a daughter that Mary seems to have brought up as her own
this has the essence of a book cover – only really making sense in the context of the title and narrative within
the whole executed with that crisp clarity of application that characterised 1930s romantic painting
Night Pond Still Lifes a very Grant-like brush and
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